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Plainsong essays

Psalms and Songs of Praise The Pluralism Project Doctorate 1981 * Writer and editor for The New Grove Dictionary 1975-1976 * Lecturer in music at Royal Holloway College, University of London 1976-1986 * Professor in Musicology, Institut für Musikwissenschaft, Universität Regensburg since 1986Other positions held * Secretary of the Plainsong & Mediaeval Music Society 1982-1986 * Editor of Journal of the Plainsong & Mediaeval Music Society 1978-1990 * Elected honorary Vice-President of the Plainsong & Mediaeval Music Society 1996 * Chairman of the Study 'Cantus Planus' of the International Musicological Society 1988-97 * Co-editor of Monumenta Monodica Medii Aevi since 1991 * Elected member of Academia Europaea 1998 * Elected Corresponding Member of the American Musicological Society 2002 Publications The liturgical music of Norman Sicily: a study centred on manuscripts 288, 289, 19421 and Vitrina 20-4 of the Biblioteca Nacional, Madrid (Ph. dissertation, University of London King's College, 1981; British Theses D70780/82) [Customer Services, The British Library, Document Supply Centre, Boston Spa, Wetherby, West Yorkshire LS23 7BQ, England; e-mail: [email protected]; 'The Norman chant traditions - Normandy, Britain, Sicily', Proceedings of the Royal Musical Association 107 (1980-81), 1-33 [with Julian Brown and Sonia Patterson] 'Further observations on W1', Journal of the Plainsong & Mediaeval Music Society 4 (1981), 53-80 'Some observations on the interrelationships between trope repertories', Research on Tropes, ed. Vitterhets Historie och Antikvitets Akademiens, Konferenser 8 (Stockholm 1982), 29-37 'Quanto c'è di normanno nei tropari siculo-normanni? Angelo Pompilio, Donatella Restani, Lorenzo Bianconi and F. Both the Puritan settlers in New England's North American colonies and the Anglicans in Virginia brought with them the tradition of plainsong, the chanting.

Antonio Lotti Sacred Music Catalogue - "Some have stood in an opinion, which to me seems very improbable, that men accustomed to descanting can sing together on a plainsong without singing either false chords or forbidden descant, one to another, which, till I see it, I will ever think impossible. Antonio Lotti Sacred Music Catalogue. All works are edited by Ben Byram-Wfield, unless otherwise stated. The catalogue is divided into three s motets that.

Seeing Past The Clouds A Kent Haruf Primer LitReactor She was educated at the universities of Cambridge, King’s College London and Paris (École Pratique des Hautes Études, IVeme section). Wernhoff (Mainz: von Zabern, 1999), 718-31 15 ‘Taking the Rough with the Smooth: Melodic Versions and Manuscript Status’, in: The Divine Office: Studies in Honor of Ruth Steiner, ed. Over the years, I've re-read Plainsong three times. poetry, essays, reviews, and interviews have been widely published both online and in.

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